Long-time movie and TV star Marjorie (Goodspeed) Reynolds was born August 12, 1917 in Buhl, Idaho. Her parents were Harry W. and Grace Goodspeed, both from Maine. Her father received his M.D. degree from the Medical School of Maine (Bowdoin College) in 1897. Dr. Goodspeed practiced in Maine, New York City, and Chicago before settling in Buhl around 1909.
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| Marjorie Reynolds. Publicity Headshot. |
In 1922, the family moved to Los Angeles. Later, studio publicists offered some fanciful stories about how they relocated, but these can be discounted. In any case, her mother enrolled Marjorie in dance classes at an academy that specifically trained students for roles on the stage or in movies. During the following two years, she appeared as a “waif” or dancer in at least four productions.
After that, she was inactive for several years. She danced in a stage play in 1929 but did not appear again until 1933, when she had three roles that involved dancing. For these, she was billed as Marjorie Moore. One, the silent film Wine, Women, and Song, also included her first small acting part. Her career was securely launched in 1935-1937, with roles in seven productions.
Sadly, her mother died in January 1937. However, later that year, she married John Wesley “Jack” Reynolds, a casting director. He helped get her first (small) speaking role, in the thriller Murder in Greenwich Village, now using the name Majorie Reynolds. Over the next five years, Majorie appeared in at least fourteen low-budget westerns, interspersed with musicals, standard dramas, and thrillers. She was the female lead for many of them, and received quite favorable reviews.
In 1942, she landed what many consider her highest accomplishment: The love interest in Holiday Inn, with Bing Crosby and Fred Astaire. She got to dance with Fred Astaire, whom she found “wonderful to work with.” Moreover, Crosby sang the renowned “White Christmas” for her. She received rave reviews for her performance and many predicted it would make her a superstar.
Like many performers, Majorie made time during the war years to deliver shows to service audiences, including a trip to bases in the Aleutian Islands. (She would reprise that role during the Korean War.) Although she took time out to have a baby girl in November 1946, she performed in at least seventeen feature files (starring in most) by the end of 1952. Unfortunately, Marjorie and Jack Reynolds divorced in the spring of 1952. She would remarry about a year later.
She had her first minor role in a TV series in 1949 and that picked up as time went on. Thus, her main focus from 1953 to 1958 was as the long-suffering but resourceful wife on the TV show The Life of Riley, with William Bendix. She found her role somewhat repetitious, but loved the rapport with the cast and crew.
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| Bendix & Reynolds. Studio Publicity. |
Majorie made only two feature films (in 1959 and 1962) after Riley ended, but found plenty of work in various TV series and commercials. Her last screen credit, in 1978, was for the three-part miniseries, Pearl. The story dramatizes “ordinary” peacetime life in Honolulu during the few days that ended with the Japanese attack on Pearl Harbor. It was noted as “one of the ten most watched” programs when it aired in November. Overall, she appeared in over 60 movies as well as countless TV commercials and series episodes.
After Marjorie retired from movies and TV, she filled her days as a hospital volunteer. Also, her second husband became ill in 1984 and she nursed him as best she could until he died in the spring of 1985. After that, she spent more time with her daughter, who also worked in the film industry. In 1997, she passed out while walking her dog, was taken to a hospital for observation, but died that evening, on February 1.
A consummate professional, Majorie was well-like by everyone she worked with in movies and TV, cast or crew. And over those years, she shared the cast with many major stars: Vivien Leigh, Bob Hope, Roy Rogers, Marilyn Monroe, Mario Lanza, Shirley Temple, Robert Mitchum and on and on.
Many wondered why she never became a superstar herself, despite her good looks, outstanding ability as a dancer, and versatility as an actress. One wonders if she might have been too versatile … tackling an amazing range of comedic and dramatic roles. In westerns, she might be a standard heroine to be rescued, a determined ranch or mine owner, or even a dancehall girl. As a wife and (or) mother, she had roles as faithful, doting, jealous, manipulative, cheating … or even unwed (quite racy when she did that back in 1938). Other roles included models, detectives, nosy reporters, a princess, a refugee, and more. That is, her fans never quite knew what to expect … which may have counted against her.
| References: Colin Briggs, “Marjorie Reynolds: Benevolent Beauty,” Classic Images, Muscatine Journal Division, Muscatine, Iowa (2010). |
| Gary Brumburgh, “Biography: Marjorie Reynolds,” Internet Movie Database, imdb.com. |
| Dick Vosburgh, “Obituary: Marjorie Reynolds,” The Independent, London (February 15, 1997). |